Create your own doorway

Had a great Zoom chat the other day with a newer writer. They’d found me on social media and liked what I’ve had to say about screenwriting and working on establishing a career at it. Would I be open to imparting some of what I’ve learned and any other advice I might have that could potentially help point them in the right direction?

Even though I admitted to still being one of those trying to “break in”, so my two cents of guidance was probably worth about that much anyway, how could I say no?

We talked about wide variety of topics, mostly involving screenwriting, including our respective backgrounds, experience, short- and long-term goals. They also asked for potential suggestions as to how they could go about achieving those goals.

I told them what I’ve said to many writers before, and it still rings true.

Everybody’s path to success (however you gauge it) is going to be unique to them and them alone. What works for me will probably be totally different than what works for you. If you know what your goals are, then it’s up to you to figure out what it will take for you to get there.

You need to create your own doorway, because nobody’s going to do it for you.

Use everything at your disposal. You might think you don’t have anything to work with at first, but you’d be surprised how effective even the littlest thing can be. It’s all about perspective and determination.

For example, the writer had worked on some short films in various capacities. They could use those to showcase their skills, as well as adding the other filmmakers and crew into their network. You never know who knows of another gig or has heard of a project that needs someone who can do the things you do.

If that’s what it takes for you to find that way in, that’s what you do.

The writer said nobody had put it that way before, which really helped them as they start to figure out their approach and possible strategies. They appreciated the advice, and the honesty.

This sort of stuff might seem pretty basic to those of us who’ve been at it for a long time (such as yours truly), but there will always be those just starting to dip their toes into these turbulent waters. I didn’t really have anybody like that when I was starting out, so why not offer up a helping hand in some capacity?

Now if you’ll excuse me, I’ve got a doorway to finish creating, followed by kicking it wide open.

Your three for ’23

A new year is upon us. One hopefully jam-packed with opportunity and lots of forward momentum for all.

I had the recent pleasure of having lunch with a writing group. As things started to wrap up, one of the members asked the rest of us to list the three writing-related things we hoped to accomplish in 2023.

It was a great idea, and just as great to hear what everybody was setting out to do.

For me, it’s adding two scripts to my catalog, filming the short, and possibly resuming the quest for representation. That last one’s still a maybe, with “Elevate the quality of my writing” a suitable alternative.

So in the same spirit of camaraderie, I pass the question on to you:

What are your three writing-related goals for 2023?

More than that is fine, but three is a good starting point.

No matter what they are, I wish you the best of luck with of all of them.

Go get ’em, chums. I’m rootin’ for ya.

See you next year.

3 months in, and…?

2022 is now 1/4 over. How’s it been for you, productivity- and results-wise?

Are you making the progress you’d hoped you would? Any goals achieved or finish lines crossed?

If so, great!

If not, don’t be so hard on yourself. Sometimes things take longer than we’d like them to.

The important thing is that you’re putting in the effort, and that any progress is good progress.

It can probably said with absolute certainty that lots of writers started the year with the mindset of “I’m going to accomplish X, Y and Z!”. Like with most things, numerous factors play a role, so results will vary.

It’s great to give yourself some long-term goals, but setting up some short-term ones can really help boost your morale. Create goals you know can achieve, like setting aside a specific amount of time per day for writing and writing-related activities, or that you’re going to write X pages a day.

Accomplishing something is all about putting in the work, and that takes time.

Look at it from this way. If you’re not where you thought you might be around now, you still have 9 months to work on getting there.

It’s a marathon, not a sprint.

This applies to more than just writing a script.

Pace yourself. Know what you’re capable of, but don’t be afraid to give those limits a little extra push.

Good luck, and hope you have a wonderfully productive next three months.

Words that need to be heard

It takes a lot of determination and persistence to make it as a screenwriter.

A LOT.

And since so many other people are trying to accomplish the same things (more or less) as you and I, the difference between good days and bad days is a vast one indeed.

We learn to take the hits and the disappointments to the point that we chalk it up to “them’s the breaks”, and move on to the next thing. It is vital that we toughen up our skin to help us survive the journey.

But let’s go back to the good days thing.

When something positive happens for us, we do not hesitate to trumpet it from the rooftops – a rooftop in the form of some kind of social media platform.

And when that happens, our network of peers and associates is just as quick to join in the celebrating. We’re practically deluged with “congrats!”, “that’s awesome!”, “well deserved!”, and the like. Speaking for myself, I really appreciate it, and make a point of returning the sentiment when appropriate.

As writers, we live and breathe using words as our craft. We write something and hope it has the desired effect. Sometimes it does, sometimes it doesn’t, and sometimes it makes a much bigger impact than you could have ever expected. (Those are particularly pleasing.)

Don’t underestimate the power of what you write. Not just for your latest script, but also when it comes to how you present yourself to the rest of the writing community.

Are you always there with a positive message? Do you think “telling ’em like it is” is the way it should be?

Sure, somebody who does well in the Nicholl or Austin is going to get all sorts of congratulatory messages, but what about somebody who came in second or made the quarterfinals in that small contest you’ve never heard of? Are you just as enthusiastic for them? Do you let them know that?

When I was just starting out, I naturally had the novice’s daydreams of “they’re going to love it!”, which of course didn’t happen. Just about every response from my queries would be along the lines of “thanks, but no thanks” (if there was a response at all), and the contest updates that most of the time start with “Unfortunately…” It’s just the way the business is. You take your lumps, move on, and try to be a better writer so you do better next time.

Anybody who’s reading this knows exactly what I’m talking about. We’ve ALL been there.

I’ve recently read the lamentations of a novice writer who hasn’t had much luck in their efforts. They’re convinced that this can only mean that they’re a terrible writer, their family isn’t supportive of them even trying, and are thereby doomed to fail no matter what, so why even try? With as much sympathy and understanding I can put into text on a screen, I (and others) have tried to explain to them that everything they mentioned, from not placing in a contest to getting a pass from a query to them feeling completely alone in this, is not unique to them. Making any kind of progress on any of those fronts won’t happen overnight.

If ever there was a time that words could make a difference for the better, this was one of them. Hopefully my comments had at least the start of the desired effect.

We’re all busting our asses trying to make it however we can in this crazy business, and any outside offering of hope or encouragement is always welcome.

So as you skim your way across the turbulent waves in the vast ocean of social media and see someone’s comment, good or bad, about how they or their writing are doing, take a second to respond.

Let them know you’re rooting for them and hoping for continued success.

You’ve been where they are and hope things get better.

You’re thrilled for them.

You’re sorry.

You’d be amazed at how effective words, especially yours, can be.

A new chapter begins…

Since posting this, I have journeyed to an exotic faraway place in order to deliver the inimitable Ms V to the next phase of her education.

And she’s not the only one entering a realm rife with unexplored potential.

I’ve had a lot of time to think things over the past few weeks, especially in terms of my writing and pursuing a career at it.

I can’t help but look around and see my peers achieving the well-earned success I’ve also been working towards and feel more than just a pang of jealousy. Some days it feels like it’ll never happen. One can only take so many hits, knockdowns and setbacks before the motivation to keep going starts to strain against the pressure.

As much as I love my scripts, the feeling isn’t exactly mutual from the film industry. All of my attempts along traditional methods have yet to yield their desired results.

Contests are more or less a money drain, especially with the ones of significance receiving entries numbering in the high thousands.

Queries yield a miniscule fraction of responses, let alone read requests, with an even smaller number of those leading to anything. A constant hearing of “thanks, but no thanks” can really take its toll on one’s confidence.

I’ll also admit to being a bit heartbroken from the steady announcement of yet another reboot, reimagining, or recycling of stories that have come before, especially when there are so many new and original ones out there. And yes, I’ll include mine in that latter group.

Never fear. I’m not giving up writing. I could never do that.

Think of it more as readjusting my approach – just a bit.

Rather than focus all my energy and efforts on “breaking in”, it’s now all about keeping things simple and working on projects I enjoy.

I’ve got a queue of scripts all needing a rewrite. If one or three turn out to be of exceptional quality, maybe I’ll put it out there see to gauge if there’s any interest.

If not, that’s okay. I’ll at least have another script in my catalog.

And after much delay, I’m actively looking into filming a short I wrote. This has activated something in my creativeness that’s resulted in ideas for several new short scripts, as well as garnered some interest from filmmakers looking for something to shoot. Why beat myself up over lack of progress for a feature when I could make some headway with having an actual short film (or films) available?

I’ve talked to a few writing colleagues who’ve been in a similar situation. Just about each one agrees that it’s better to work on something you control, rather than beating yourself up and stressing over something you don’t. Not that making a short is easy, but you get the idea.

One of my favorite hashtags to use on social media is #notgivingup, and that remains my plan. I’ll still keep at this, just with a somewhat different approach. Everybody’s path to success is unique; mine just happens to be undergoing some minor modifications.

Whether or not it works out in my favor and gets me there remains to be seen, but at least I’ll be enjoying the journey a little bit more.