Author: Maximum Z

The dreaded return of a foe most formidable

Maximum Z adventure, Alex Ross, comic books, creativeness, creativity, Elvis, legion of doom, monsters, pulp fiction, screenwriting, script, story, storytelling, writer's block, writing
Who invited these guys?
Who invited these guys?

Ah, writer’s block. So we meet again. It’s been a while.

Can’t say I’m happy to see you.

I was just sitting here, minding my own business, trying to put together the story of my new project (epic pulp adventure monster saga!) when you decided that was your opportunity to make your grand entrance.

Within seconds of your arrival, my creativeness, like Elvis before it, had left the building.

Curse you.

While I struggle with potential ideas and stare at two previous outlines in an effort to construct a third, you stifle my ability to figure out problems, think my way through scenarios and come up with how things should play out.

The ease with which I was able to previously deflect your efforts is no more. You’ve made the process tougher this time, and I do not like it.

The longer you stick around, the more frustrated I get, which makes it harder to develop a strategy that will see me triumphant and you soundly defeated.

What makes your presence even more aggravating is the off-the-charts levels of excitement I have about this project. Once the story is solid enough to my satisfaction, I will become a veritable writing machine and crank out material at a pace you wouldn’t believe.

Taunt me all you want, but I have worked way too hard and put in too much effort to let the likes of you stop me. I may be down, but I am definitely not out.

It may take a little longer than I’d like, or I could find a solution five minutes from now. Either way, I will work my way through this. I’ve done it before, and I’ll do it again.

And when that moment occurs, I will gladly show you the door and send you on your way, hoping it is a very, very long time until you even consider the idea of returning.

I’ll take a mulligan on this one

Maximum Z Uncategorized

Today’s post was originally going to be about peppering your script with little details to give it more personality.  But I didn’t like the way it turned out, so I trashed it.

Rather than make a second attempt, I’m instead opting for an impromptu survey.

-What page are you up to for the draft of your latest project?

I’m at 104.

You?

Out, damned trope! Out, I say!*

Maximum Z cliches, creativeness, creativity, feedback, ideas, monsters, movies, originality, outlines, plot, problem-solving, reading, scenes, screenwriting, script, social media, spec, story, tropes, Twitter, villain, writing
Do whatever you can to avoid falling into this perilous situation
Do whatever you can to avoid falling into a similar perilous situation

(*A slight variation on the actual line from MACBETH – Act V, Scene I. We’re all about accuracy around here.)

The more I work on the story of the monster spec, the more I realize how flimsy the villain’s plan is. I know what their objective is, but the biggest roadblock is figuring out HOW they’re going to accomplish it.

Part of the original story included a monster with shape-changing abilities taking the place of a high-ranking figure in world politics. At the time, it seemed good.

But now it just seems tired and stale. It really is something we’ve all seen before, which totally goes against what I’m trying to do. Coming up with a fresh, original story is one thing; telling it in a fresh, original way is another.

How often have you read a script or seen a movie or TV show and thought “Seen this before” or “Saw that coming a mile away”?

It’s easy to fall into the trap of using something that’s been used or done many times before. Cliches. Tropes. Clams. Call ’em what you will.  There’s nothing wrong with them, but it’s lazy writing.

Why would you go through the trouble of working so hard to create something new and exciting, but fill it with material that isn’t?

Read through what you have. Does anything come across as too familiar, or at least expected?

Look at that tired old chestnut as purely temporary, then go back and brainstorm a few alternatives which are totally opposite (or at least really different) but also accomplish the same thing.

Take a look at scripts and movies similar to yours. Can you see how they did it? Maybe it’ll inspire an approach you hadn’t thought of.

Feeling stuck? Ask for help. Twitter’s usually pretty good. You’ll soon discover that writers have the amazing ability to easily come up with ideas when it’s for somebody else’s project.

You’re a creative type, so get creative. You know there has to be a better way out of this. It may take a couple of tries, but you’ll get there.

In the meantime, I’ll be busy figuring out a new way for monsters to take over the world.

A screenwriter’s 5 stages of grief (contest edition)

Maximum Z anxiety, contest, criticism, determination, encouragement, feedback, screenwriting, script, writing
Five minutes later, he was fine
Any contest email that includes the word “unfortunately” is probably not good

Ah, the screenwriting contest. There are so many out there, and may be the key to breaking in and starting a career.

Once you decide to take the plunge and submit, your brain fills up with visions of your script claiming first prize and all the goodies that come with it – cash and prizes, prestige, connections.

But the sad truth really is that while many will enter, only a select few will win. The odds are already against you, so you do the best you can.

Then the announcement comes, and you’re not on that list. How do you handle it?

1. DENIAL

This can’t be right. My script should be right there. Something must be wrong. Wait. Maybe I just didn’t see it. Let me look again. Are these listed by author’s first name, last name, or by title? Why am I not seeing it? Maybe they just forgot to include me. That happens, right?

2. ANGER

Aaugh! I can’t believe I didn’t make it! All that hard work shot straight to hell! How could they not like this? I’m never entering another contest again!

3. BARGAINING

Please let this be a mistake. I promise I’ll try harder and do better next time.

4. DEPRESSION

I’m the worst writer ever. I’ve got no talent. They probably read this and laughed their heads off at how bad it was. How could I even think I had a shot at this? Why did I even bother? I should just give up now.

5. ACCEPTANCE

It’s all subjective. You never know what someone going’s to like or not like. Maybe the script wasn’t as perfect as I thought. I should probably work on it some more, maybe even shell out the bucks for some professional feedback. It’s not like this is the only contest out there, and there’s always next year.

So what now?

After a little self-comforting (maybe with your preferred substance of choice), you sit yourself down and get right back to work.

*Full disclosure – This is similar to what I recently went through after the results of the Nashville Screenwriting Contest were announced. My script didn’t make it past the first round. Naturally, I was disappointed, but feel better now and am even more committed to writing kickass material. Thanks for asking.

And you want to take over the world because…?

Maximum Z antagonist, backstory, characters, goals, plot, protagonist, scenes, screenwriting, script, Star Wars, story, villain, writing ,
Not just the villain, but a key part of the whole story
Not just the villain, but a key part of the whole story

So you’ve got your protagonist’s story planned all the way through. Beginning to end. You know what they want and what they need. That character arc is firmly in place.

What about your antagonist?

Have you put as much effort into developing their story? Do you explain why they’re doing this? What do they seek to gain from their actions?

A lot of the time, the bad guy is the more interesting character, so why wouldn’t you make just as much of an effort on fleshing them out?

The character we identify as the villain should see themselves as the hero of their story, with your protagonist the one standing in their way of achieving their goal.

Maybe there’s a previously-existing connection between the two, which can be gradually revealed as the story progresses.

How often has a writer explained the “why” behind the antagonist with a casual “Because they’re bad”?  Readers and audiences want a little more depth than that.

This isn’t saying you need to come up with an extensive backstory about their past and what led them down this path.  A few lines of dialogue can be just the thing to provide the reason why they’re doing this.

You’ve already spent a lot of time developing your hero’s journey. It only makes sense to do the same for the villain.