One week to go

Submissions continue to come in for the upcoming Maximum Z Winter ’23 Script Showcase, which goes live on Friday 22 December. The cutoff for sending in is Thursday 21 December, so there’s still time to add your screenplay or TV script into the mix.

If you’ve been trying to think of a way to spread the word about your script, then look no further. Once the post is up, I’ll post a link to it on several of my social media platforms, and hope you’ll do the same.

All this free marketing and publicity, with an emphasis on the “free” part.

Here’s how it works:

Email the following info here with the subject line “Maximum Z Winter ’23 Script Showcase”

-Film or TV?

-Title

-Author(s)

-Genre(s)

-Logline

-Awards (if applicable) – limit of 5

-your email

And that’s it. No more, and definitely no less.

A few important things to remember before sending:

-DO NOT SEND THE SCRIPT! If somebody is interested in reading it, that’s why your email is included.

-ONLY ONE SCRIPT PER PERSON

-MAKE SURE YOUR LOGLINE IS ACTUALLY A LOGLINE. A few writers have sent in synopses and taglines, which are most definitely NOT loglines.

-PROOFREAD YOUR INFO! Is everything spelled correctly? Is all the info there that needs to be there? I will post what you send as is – no editing on my part, so make sure it reads the way you want it to.

The inbox remains open for just a few more days. The cutoff date of Thursday 21 December will be here before you know it, so don’t delay and send today.

Our crack staff of editors is standing by.

The countdown continues…

The number of listings continues to grow for the upcoming Maximum Z Winter ’23 Script Showcase.

The Showcase will post on Friday 22 December, so submissions will be accepted until Thursday 21 December. Like the lady in the gif says – you’ve got two weeks and counting to send in the details about your script.

I’m thrilled that lots of writers are taking advantage of this absolutely free opportunity to put their screenplay or TV script in the spotlight.

Are you one of them? If so, great and thanks!

If not, why the heck not? It’s super-easy and all you need to do is send an email here with the following info:

Film or TV?

Title

Author(s)

Genre(s)

Logline

Awards, if applicable – limit of 5

Your email

And this cannot be stressed enough: PROOFREAD YOUR INFO BEFORE SENDING IT!!

Is everything on there accurate and spelled correctly? There have been a few listings that left out some important details. As one writer responded when asked if it was a TV or film script, their response was “Oh, God. I had ONE job: Fill out the form correctly!”

Exactly.

Also important: DO NOT SEND THE SCRIPT

-and-

ONLY ONE SUBMISSION PER PERSON

Once the post is up, I’ll put a link to it on my social media accounts. Hope you’ll share it around and proudly announce your inclusion.

For those that have submitted in years past, already-submitted scripts are welcome, but new material is encouraged.

A few writers have asked if short film scripts and specs for existing TV shows are allowed. The answer is YES.

Feel free to email me at the address above if you have any other questions.

Clock’s ticking.

Put your best script forward

With the WGA and SAG-AFTRA strikes over, an event originally planned for earlier this year can now take place.

That’s right. It’s time for the triumphant return of The Maximum Z Winter ’23 Script Showcase!

Got a feature or short screenplay, or a TV script you want the rest of the world to know about? This is your chance to do exactly that – for the incredibly reasonable price of ABSOLUTELY FREE.

On Friday, December 22nd, a list of scripts easily available and shareable with pretty much anybody will be posted here, and yours could be part of it. I’ll also post a link to it on a few other platforms, thereby enabling as much access to it as possible. You are also more than welcome to do the same so you can proudly proclaim “Hey! Check it out! My script’s in here!”. What better way to toot your own horn?

And since it’ll be a wide assortment of scripts, chances are some of the listings could make you think “Hey, I’d like to read that!” Each listing already includes the writer’s email, so it’s a piece of cake to contact them directly and say “Hey, can I read this?”

What a bargain, huh?

Submissions accepted between now and Thursday, Dec 21st.

Here’s how it works:

Email the following info here with the subject line “Maximum Z Winter ’23 Script Showcase”

-Film or TV?

-Title

-Author(s)

-Genre(s)

-Logline

-Awards (if applicable) – limit of 5

-your email

That’s all. Pretty simple, right?

However, there are two very important details to keep in mind:

-ONLY ONE SCRIPT PER PERSON

and

-DO NOT SEND THE SCRIPT!!

Previously-listed scripts are okay, but new scripts are encouraged.

Also highly encouraged – PROOFREAD YOUR EMAIL BEFORE SENDING!! Is all the info correct? No typos? I’ve received more than a few over the years that could have used a good edit. How it’s written in your email is how it’ll be written in the post.

The inbox is open with a deadline of Thursday, December 21st, so don’t delay and send today!

Looking forward to seeing what you’ve got.

Socializing from the comfort of your own home

Over the past year and a half or so, I’ve taken part in an increasing number of Zoom calls with other writers. Sometimes it’s a group thing – usually involving breakout rooms, and sometimes it’s a no frills one-on-one.

Much as I love meeting with other people in person, these are a darned good alternative.

If you haven’t allowed yourself the pleasure of being involved with this, you’re doing yourself a great disservice. Networking is a key part of being a screenwriter, and this really is a golden opportunity to do that.

At its heart, it’s just a conversation between two (or a few more) people. Just shootin’ the breeze.

The biggest benefit is just being able to talk to somebody equally as familiar with all the trials and tribulations of being a screenwriter. Topics of discussion usually include where we’re from/where we are, how we got started, what our scripts are about, what we like to write, and what we’re working on.

I always get a special satisfaction seeing somebody get excited and enthusiastic when they talk about their work.

Granted, non-writing topics are usually also involved, but eventually it all works back to that one detail we all have in common.

What’s also great is that geography doesn’t play a factor in any of this. I’ve had conversations with writers in my neck of the woods and those literally on the other side of the planet, which is kind of mind-blowing when you really think about it.

As we all know, writing is primarily a solitary activity, and most of us welcome the chance to interact with somebody. The detail that this version of it is while both of you are sitting at your desk is a minor one.

Is there a writer you know via social media you’d want to talk to? Ask them. Chances are they’ll be more than happy to do it. A lot of the time the biggest obstacles are timing and scheduling – especially if you’re in different time zones. It might take a little time to coordinate, but once it’s set and the chat begins, it’s a pretty safe bet you’ll both have a great time.

And as we head into the holiday season, some writers might even see the chance to take an hour out of their day to just sit and talk with another writer as the respite they didn’t know they needed. It’s always great talking to a kindred spirit, and talking about your respective works can be a real boost and/or motivator for creativity.

So don’t hesitate to take advantage of the fact that the technology is easily available for you to have a great conversation with, and potentially establish a professional relationship with another writer, no matter where they are.

Embracing my inner Stan

“I used to be embarrassed because I was just a comic book writer while others were building bridges or going on medical careers. Then I realized that entertainment is one of the most important things in people’s lives. I feel if you’re able to entertain, you’re doing a good thing.”

That’s a quote from Stan Lee that has been ringing true a little more often for me lately.

When another writer asks me “What do you write?” or “What do you like to write?”, my go-to answer is “fun, popcorn adventures.”

Serious dramas, character studies, and examination of the human condition just aren’t my thing. If I can give you 100ish minutes of pure escapism, I’m a happy guy.

“Write something you would want to watch” I always tell newer writers. I go to the movies to have fun and enjoy myself, so that’s what I like to write.

I’m a member of an online writing group, and I always felt very self-conscious when I’d submit pages. Other members were PAGE and Nicholl-winning writers, and I’ve got an animated story about a young witch, her talking cat, and the state of New Jersey. Who wouldn’t feel a bit silly about that when other scripts are about dysfunctional families and dissolving marriages?

Interesting side note to that: some readers had a tough time adjusting to the fact that it was an animated story, while others marveled at how fun and creative it was.

I think it was going to Austin that helped me turn the corner on how I viewed the overall picture.

When you get together with a whole lot of other writers, discussing your script is an automatic part of the equation. I was quite proud of how my script had turned out – both as a script and for the competition, and wanted to convey that pride while talking about it. So I did. When somebody would say “What’s your script about?”, I’d smile and tell them without a moment’s hesitation.

It’s safe to say just about every reaction was a positive one. Each person thought it sounded great, plus a few “I’d like to read that”.

My current project is a rewrite of the sci-fi adventure. Similar kind of situation. Scientists. Monsters. Diabolical plots. Typical me kind of stuff. It’s still very rough, but you can see my enthusiasm for it on the page. Why not take it and run with it, head held high, so to speak?

I submitted the first ten pages to the online writing group, pitching it exactly how I wanted to, including the apt descriptor “This is a fun, silly romp.” I wanted the other members to know what kind of story they should be expecting. Hopefully some of them keep that in mind. It’ll be interesting to see what the reactions are.

Like Stan Lee says in his quote, I used to downplay what my scripts were about because I thought people might look down their noses at that sort of thing. But after seeing how others have reacted to my scripts and what I like to write, I realize that a lot of the time people want to hear that sort of thing. They want to be entertained.

There’s just as much of a demand for fun popcorn escapism as there is for serious drama.

I can appreciate the latter, but am much better suited for writing the former.

And in keeping with the spirit of the post – Excelsior!