writing

Going for that streamlined look

Maximum Z antagonist, creativity, editing, outlines, podcasts, productivity, protagonist, rewrite, scenes, screenwriting, story, structure, westerns, writing ,
No, no. The car.
No, no. The car. Aw, never mind.

With most of the querying out of the way, I’m now focusing on two things: getting the podcast up and running, and fine-tuning the western outline.

There’s not much to say about the podcast, except it just hasn’t been a priority. I could have spent more time on it, but opted to get the queries out, which was very time-consuming. It’s looking more likely now to be a February launch.  Stay tuned for more details.

Regarding the outline rewrite, although I had a pretty solid outline already done, it still needs a lot of work.  Up first: tightening things up.  There are just too many scenes.

Using the existing outline, I’m now figuring out ways to move story details and plot points around so everything moves along faster.

For example: the earlier draft didn’t really introduce the villain until around page 17 (he’d been lurking around in the shadows up until then). I’ve since moved things around and now he shows up around page 4, which also includes a follow-up scene to show just what kind of a bad guy he is.

There was also the decision whether or not two scenes could be combined into one. I’ve gone back and forth on this. Scene 1 advances the story/continues to set things in motion, while Scene 2 provides some backstory about the connection between the hero and the villain. Although each has merit on their own, I’ll probably remain undecided up until the end.

Happy to say I’m still enjoying the whole thing.

-Movie of the Moment Two-fer!: THE OTHER GUYS (2010)   I don’t really care for a lot of Will Ferrell’s films, but this caught me totally off-guard. It was actually funny and had a good story. Surprisingly entertaining.

MIDNIGHT IN PARIS (2011) Another clever film from Woody Allen. Probably doesn’t hurt that I love Paris too. Kind of wish he’d write characters other than those from the upper classes.

Ready for just such an emergency

Maximum Z query letter, representation, screenwriting, synopsis, writing
Be prepared, and all that...*
Be prepared, and all that…*

After sending out the first batch of query letters, I was reminded of something I need to have ready to go in case someone asks for it.

A synopsis.

Just the thought of having to write one fills me with dread. It always has.  But it’s a necessity and has to be done.  (You’d think a writer would have no problem writing something. You’d be wrong.)

I scoured the internet, desperately seeking for one to use as an example. Success was somewhat limited, but there were a handful, each accompanied with suggestions of what to include and what not to.

The general consensus seems to be a short paragraph for each act.  Each one has to be informative in terms of the story and describe what happens, but without going into too much detail.  Like with the logline, you want to make the reader want to read more.

Keeping all this in mind, and after much editing and rewriting, I ended up with a draft that fills up about 2/3 of a page.  Too short?  Just right?  Hard to say, but I like the way it reads.  Simple. Descriptive. Effective.

Add another item to the ‘done’ column of my metaphoric checklist.

I should probably also start working on a treatment, which is a completely different, but still necessary, thing.

But in the meantime, when I’m not sending out more queries, rather than incessantly checking my email and hitting ‘refresh’, it’s a better use of my time to stay focused, keep being productive and work on the western outline.

-Podcasting equipment has arrived. Still learning how to use it. More details to come.

 

*was there ever any doubt that yours truly was an Eagle Scout?

Queries about queries

Maximum Z query letter, representation, screenwriting, writing
Do people still send actual letters?
Do people still send actual letters?

I started compiling a list of where to send my query letter when I realized I should probably have the letter ready first.

Previous versions have kept it simple. Brief intro, logline, 1-2 sentences about me, and that’s about it. Short, to the point, and hopefully effective.  Don’t know how much of an impact they’ll have, but there are a few me-oriented details I’d like to work in as well.

I’ve seen examples that suggest a few short paragraphs that flesh out the story a little, but that seems like too much.  If the logline doesn’t grab them, why would they want to read more?  I like to think mine’s pretty solid.

It’s also important to write the letter so it really stands out from the hundreds/thousands received daily*.  We all want someone to read our letter and automatically think “Now THAT’S something I want to read!”

It shouldn’t take too long to put a strong letter together. Once it’s ready, back to figuring out who should receive it.

 

*Absolutely true. I met with an agent who had started her own agency – just her and an assistant. They were getting approximately 50 letters a week. Imagine how many a powerhouse firm like ICM or WME gets. Every one is your competition.  Just something to keep in mind.

My jets can cool no longer

Maximum Z feedback, networking, rewrite, screenwriting, self-confidence, social media, writing ,
Oh, how I love visual jokes
Oh how I love sight gags

I had it all planned out. The rewrite’s done, but I won’t be able to send it out for professional notes until after January 1st, so until then, I’d have plenty of time to research the best places to query and work on my western outline.

It was nice to think that.

But as is usually the case, things have changed a bit.

A trusted colleague sent some extremely helpful notes, and more are due from another.

*side note – I connected with both through social media and networking. Proof it has benefits!

It would seem a short rewrite session is in my immediate future.

I welcome these latest developments.  They contribute to making the script as strong as it can be, and that’s what counts the most.

Added bonus: a lot of this first set of notes deals more with format, rather than story, so fixing them won’t be too difficult.

Even better added bonus: the notes ended with the words every writer lives to hear: “I wish I wrote this.”

If that ain’t a confidence-building good omen, I don’t know what is.

-Winter break begins this weekend at our house. Hoping to take V to see THE HOBBIT and LES MISERABLES during that time. Anything a parent should be concerned about with either? (She hasn’t seen LOTR, but seems eager to catch HOBBIT)

A pair of potentially pressing perplexing problems in a possibly penultimate draft

Maximum Z editing, outlines, rewrite, screenwriting, script, story, subplot, writing ,
today's blogpost brought to by...
today’s blogpost brought to by…

Being done with this rewrite is almost a reality; emphasis on the word ‘almost’.

There’s this one scene that’s really bothering me. Something about it feels very…off.  It’s necessary in that it wraps up a subplot, but the way it’s written feels less ‘show’ and more ‘tell’.

I’m not exactly sure how to handle this. The scene still works, but part of me thinks it could be better and another part wonders if it should stay as is. This is definitely going to require some figuring out.

One unfortunate side effect of making changes is it will most likely drag things out and make the script longer, which really is the last thing I need right now.

Which brings me to another issue.

This is at least 7-10 pages too long, so the next step after all the writing is done is to hack, slash and rewrite this down to a more agreeable length.  I don’t want a potentially interested party to be put off by the number of pages before even starting to read it. (Although in my defense, this is a real page-turner of a script)

I don’t like setting deadlines for myself, but with the end of the year looming, the rest of the month seems like a good opportunity to really wrap this script up once and for all.  I’ve been in contact with a professional writer who gives notes, so that’s where it’ll go when all is said and done.

Which will most likely lead to more rewriting, but you and I knew that was going to happen anyway.