Simple now, fancy-schmancy later

What? This isn't what you wear when you're writing?
What? This isn’t what you wear when you’re writing?

Right now, it’s all about finishing the first draft of this spec. Just get it done. Hopefully this momentous event will occur sometime in the next couple of days.

The script as a whole will of course need a lot of tweaking and reworking – it’s foolish to think otherwise – but it’s also important to get the words on the page to paint a strong mental picture. The more picturesque your text, the more vivid it becomes inside the reader’s mind.

Despite using the “write it now, fix it later” approach, I try to work with a wide variety of words, descriptions and phrases throughout to keep things interesting.  Remember – the thesaurus is your friend. Use it wisely.

Changes will be made where necessary in forthcoming drafts. It’s more than likely a word or sentence will be modified several times, then changed back to what it originally was. This happens all the time.

As this draft was put together, the words that met my needs at the time were used. Are there ones that work better, or at least do a better job of conveying the intended mood?  Without a doubt, but rather than spend too much time now to come up with the perfect word or phrase, I’m more interested in maintaining that nice, steady momentum.  There’ll be time to spruce it up later.

You can have great language in your wide margins or dialogue, but it all boils down to this: if the story’s not rock-solid, the whole thing will fall apart.

I was especially reminded about this listening to a recent episode of Scriptnotes. One of the entries in the Three Page Challenge featured the colorful phrase describing a room:  “A dragon’s lair of treasures.” Nice, huh?

I don’t know if the writers had that in there from Day One, but it’s definitely not something I would have come up with the first time around. It’s not hard to imagine this is the result of a little brainstorming. It’s short, descriptive and effective.

Don’t worry about getting it all perfect when you start. That’s what rewrites are for.

Moving that inner strength outward

It may not be as heavy as you think
It may look heavy, but it might not feel that way

I hate hitting a lull. Even the sound of it is off-putting.

“Lull.” Yuck.

Which of course is exactly where I found myself over the past few days regarding the first draft. I thought I was making some good progress, but instead found myself staring at a screen that mockingly stared back.

“Come on, writer boy,” it seemed to say. “Show we what you can do.”

Putting more pressure on yourself combined with the anthropomorphization of electronics doesn’t usually end well. You’re already frustrated, and when the words won’t come, you just want to throw up your hands and do your best Bill Paxton impression.

I’ve been down this path before. I don’t like it, it ain’t pretty, but it’s gonna happen and I accept that.

This is one of those times when you have to remind yourself that you’ve got two options: quitting, which is the easy way out, and totally squashes all the hard work and effort you’ve already put in.

Or you dig deep and force yourself to keep going. Again.

I recently started re-reading my copy of THE FIRST TIME I GOT PAID FOR IT, which chronicles the tales of many successful and well-known writers and how they got started. Apart from some great stories, it’s a good reminder to us outsiders striving to be insiders that even the pros started in the exact same place we are now.

And if you’re like me and want to change your status in that scenario, there’s only one way – keep writing!

I don’t know what the exact trigger was, but the next time I faced off against that blinking cursor and half-empty page, something clicked.

Boy, did it.

The words didn’t just flow – they gushed. It was like a Niagara Falls of scenes and dialogue pouring onto the page. My fingers could hardly keep up with my brain.

Whoa. Three pages in thirty-five minutes? Inconceivable!

I definitely now feel back on track. A renewed sense of what drew me to the story in the first place. Being that much closer to being able to type FADE OUT. And a little more faith in my ability to be productive, even when I don’t think I can be.

Take that, lull.

Quel est le bon mot, baby?

Normally I'm a G&T kind of guy, but one these sounds pretty nice right now
Normally I’m a G&T kind of guy, but one of these sounds kind of nice right now

Opting for a random assortment of topics today. Enjoy.

-Ever get to the point where you just want to finish whatever is you’re working on and get it out of the way? That’s about where I am right now with this first draft. I wouldn’t call it a slog; more like resisting the urge to make a mad dash to the end.

On a positive note, the closer I get to finishing, the more I see how much has to be fixed.

Here’s a great guest column from Lee Jessup’s blog about how a writer should approach rewriting.

-Sometimes you come up with a story idea out of nowhere that makes you wonder: Even though this is a totally new genre for me, could I make it work?

I came up with a concept for a found footage story, including what may be a workable grasp on how to handle the ‘omnipresent camera’ part. It can be a little intimidating to try something new, but you won’t know until you try and possibly even discover a strength you never knew you had.

-I connected with this fine fellow the other day on Twitter. Do so if you haven’t already, and make sure to take the screenwriting survey. One of the questions is something along the lines of “what are some of your basic screenwriting rules?”

This is what I came up with:
1. Don’t be boring.
2. The audience is more intelligent than you think.
3. Write as if ink costs $1000 an ounce.

There are lots of others, but I think those are pretty important. Feel free to contribute yours in the comments section.

-This isn’t necessarily me hopping on the Kickstarter bandwagon, but check this out if you’d like to help preserve the small moviehouse experience. Give if you can, even if you don’t live in the Bay Area. It’s a great theatre.

An air of authenticity -OR- That’s why God invented Wikipedia*

Wikipedia was actually founded by this guy - Jimmy Wales - but it's not as funny
*Yes, I know Wikipedia was actually founded by this guy – Jimmy Wales – but it’s not as funny

“Write what you know” can only get you so far.

What if you want to write something you don’t know that much about?

One word: research.

Thought you were done with that when you got out of school? No such luck, my friend.

When you write, you want to make the reader/audience feel like you know what you’re talking about, or least give the impression you do. Just making stuff up or copying something used in an older movie is the lazy approach.

This isn’t saying you need a character spouting a master’s thesis on the subject, but tossing a few facts or proper terms here and there can really go a long way towards establishing credibility.

If you’re still in the outline phase, this is prime researching time. As you’re developing your story, try to find out something you can use that would make it that much more believable.  While this practice definitely applies to anything history-based, it also works with stories set in the present.

Say you’re working on a medical drama. Those characters should be able to immediately identify a certain condition, the cause (if necessary) and what the treatment is. Spending a few minutes finding this information out will make that possible.  You think the writers of HOUSE just made stuff up? Nope. The medical problem in each episode was based on facts.

Researching could also prove to be a key part of moving your story forward. Maybe a character finds something out or reveals something that suddenly changes the direction things are going.

Writing about a profession you know nothing about? Talk to someone who actually does that for a living. How would they handle this type of situation? When someone finds out you’re writing a story and want their input, they’re usually pretty enthusiastic about helping you.

Spending some time finding stuff out can even pay off when you least expect it, or aren’t expecting it all. Even if you don’t use it this time, there’s a good chance it could come in handy somewhere down the line.

This way you can solve that particular problem faster, thereby making yourself look that much more like a writing genius, impressing all who sample your craft.

And isn’t that what it’s really all about?

Start. Write. Repeat.

Apropos of nothing. I just like Paris.
Apropos of nothing. I just wouldn’t mind being there.

With all the activity surrounding the one script these past few months, and even though I was working on some new stuff, I’d practically forgotten that I really needed to build up my arsenal of material. When somebody asks “What else have you got?”, I want to be able to say “This, this and this.”

Thus the pattern of always working on something continues. As it should for every writer.

Progress on the western spec has been pleasantly steady. And with school starting up the week after next, there’s no reason I can’t bulldoze my way to FADE OUT soon after that. When that’s done, it’s right into reworking an older script with the hope of a quick turnaround.

Changing your focus every once in a while helps keeps things fresh, both on the page and in your head. It gives your creativity a necessary recharge. If you’re working in different genres, it allows you to put yourself in a totally different mindset.

Think of it as crosstraining for the mind. You work on this for a week, then something else the next week, then another the following. Skills are sharpened while attention is spread out equally. In the end, you’ve got progress on multiple fronts.

It’s easy to fall into the trap of constantly rewriting the same thing over and over, which can quickly lead to frustration and burnout. New work can help avoid that.

Take advantage of the opportunity to switch it up, and even when you start something new, keep one eye looking just ahead to the project after that.

-Stan Lee update. Didn’t get to meet him, but took some nice pix from deep within the crowd. I also won a signed copy of Avengers #31. Both V and I had a good time despite the Giants losing 6-1.