Philosophy, metaphysics and existentialism aren’t really my thing, but I suppose you could say I’m feeling very “zen” these days.
Part of it is stems from completing the last-polish-before-contests of my western. It definitely reads better, and I’m extremely happy with the results.
Working on this rewrite also renewed my sense of “don’t hold back”. It was exhilarating to write material that felt so alive and vibrant. I am fully confident this will continue with each draft of each of my scripts from this point on.
For some reason, this may also tie directly into a majority of my anxiety and stress and self-imposed pressure simply disappearing, or at least being drastically reduced. Seriously. Maybe it’s from just accepting that success will happen when it happens, and that beating myself up until it does is just counter-productive. I suspect there will be times when I’ll still get a little down, but expect it to occur on a less regular basis and definitely not as severe.
Big things of a positive nature are ahead, chums. I will do my best to maintain this blissful sensation while I keep working toward reaching that inevitable goal.
Which I do expect to happen. Preferably sooner than later, but either way I’ll get there.
**Editor’s note – this is my 700th post. While the ideal subject matter would have been “I sold a script!” or at least along those lines, I’m quite content with it covering the topic it does.
I hope you’ve enjoyed being part of this for the previous 699 posts over the past 7 years, and that you’ll keep coming back for more.
It’s that magical time of year once again: screenwriters are entering their works in some of the major contests. And I plan to be among their number. At least for a few of them.
Buoyed by some recent success (thanks, Screencraft!) and dismayed by the even more recent lack thereof (WTF, Bluecat?), I’m taking one more look at my western before sending it out. Nothing major; just seeking out any necessary last-minute fixes (of which there was at least one, which totally caught me off-guard and has since been taken care of).
I’d considered sending the end result out for some feedback, but quickly opted not to because I actually don’t need to. The script is pretty rock-solid as it is (at least in my opinion), and is exactly what I want it to be.
How will it do in any of these contests? Beats me, but I believe it’s a quality script about unique characters in a fun, original story. I hear those are pretty popular. Is it the best you’ll ever read? Probably not, but I bet you’d still remember it long after reading it.
It’s taken me a while to trust that gut instinct about my own work. Sometimes the self-doubt and second-guessing is there, but definitely not as much as it used to be.
Ever get that feeling that truly amazing things are going to happen for you?
I do. Quite often. Especially lately.
And I intend on doing everything I can to make them happen.
I had the good fortune this past weekend to attend a writing retreat in the serene hills of Malibu, the core of which was a seminar given by noted screenwriting consultant Bill Boyle (who was featured here in my recent Ask a Script Consultant series).
This was by no means “Intro to Screenwriting”, but more along the lines of taking your writing beyond the basics and making it richer and more layered so it reads more like a script written by a professional. Each idea and concept was explained using examples both written and visual.
The way you describe a scene so the words really pop off the page. Writing a character’s introduction to create a solid image of what kind of person they are. Creating dialogue composed of exactly-right words and with a rhythm so it sounds exactly as it should.
And this is just a small part of what was covered. There was a lot of information to process – in fact, I’m still processing it now.
Added bonus for me – a one-on-one with Bill to talk about steps to take to help get my career going.
The big question at the wrap-up session was “Did you get anything out of this?” This isn’t something I could answer right away. I really had to mull it over. In the end, my response, which still applies, was this:
There was a lot to take in, so I don’t think the results will be immediate. It’s not a superficial fix. All of it is something you really need to think about before and while you’re writing.
I have a strong suspicion that in the coming weeks and months, the more I write, the information that was presented will work its way onto my pages. I’ll probably develop my own method of doing it, which will then most likely become an automatic part of my writing process.
Am I glad I went? Very much so. It also gave me the chance to meet and talk with other writers, which is always great. Would I recommend this sort of thing to writers seeking to improve their skills? Definitely. (Here’s a link to Mia Terra Tours, the company that runs them)
No matter how much you think you know about screenwriting, there’s always more of what you don’t know. So when you get an opportunity like this to increase your knowledge and improve your skills, take advantage of it and do it.
Another chapter has closed in my ongoing quest to become a working writer, or at least an annoying wrinkle has been ironed out.
Following the latest but not-surprisingly disappointing results, my involvement with the “pay to pitch” practice has come to an end. A person can only take so much before totally abandoning the ship in question.
Simply put: I ain’t doin’ it no more.
How did I end up here? Easy. Desperation.
Despite all my efforts on several fronts, nothing was happening with any of my scripts. I got to the point that I’d try anything.
So I tried this. A few times, each with the same result – PASS, accompanied with a few classic chestnuts. “Couldn’t get excited about the story.” “Didn’t really care about the characters.” “No specificity of the throughline.” (This last one will stick with me until the end of time.)
I even went so far as to do one via video streaming, but technical issues really mucked things up. It’s kind of tough to pitch to someone when they can see you, but YOU CAN’T SEE THEM. Did the best I could, but still another PASS.
I got a survey/questionnaire about this one, and didn’t pull any punches in airing my frustration about it, adding how I couldn’t in good conscience recommend the service to anybody.
A representative contacted me soon afterward, expressing their sympathy and understanding, as well as an explanation that “their policies regarding responses were different now”, and offered a free pitch. I considered it, and decided to hold off unless something too irresistible came along. The rep also offered to help me with the pitch so as to get maximum results.
A few months went by, and what seemed like a solid match popped up. I contacted the rep, asking for their help, which they provided in the form of suggested edits. Each subsequent draft had to be uploaded to a file-storing program for the rep to read it, but I didn’t know if each new draft was replacing the old one, or just sitting there next to it. My emails to the rep were going unanswered, and the deadline was drawing near fast. In the end, there was nothing I could do.
The deadline came and went. Days went by, and no response. Days turned to weeks, and still nothing. As it neared the 2-month mark, I’d decided that was a sufficient amount of time and sent an email to the rep asking what had happened (plus a copy to the rep’s supervisor, just in case).
The response was almost immediate – from the supervisor. This was the first they’d heard about my situation, apologies were offered, along with the promise to give my pitch top priority with that company the next time. I said I’d be in touch.
A few hours later, I got an email from the original rep, who informed me they were no longer with the company (their departure most likely around the same time as, if not before, my original deadline).
Jump ahead a few days, and a response to my original pitch arrived from the company in question.
5/5 in every category, save for a 3/5 in Character Obstacles (which was one of the things I’d cut based on the rep’s suggestions).
PASS.
I sent another email to the supervisor, informing them about this (since I’m sure they weren’t even aware of it) and officially calling it quits. I won’t hold my breath waiting for a response.
What bothers me the most about this whole experience is how easily I bought into the false hope that was being sold. Like I said, I was feeling frustrated and desperate, and this seemed like my only option, which of course it wasn’t.
There are very rough days where I get extremely depressed about my lack of progress, and going through something like this doesn’t help – especially when it keeps happening over and over again. You learn real fast how many hits you can endure before wanting to simply give up completely.
But I’m not at that point just yet.
A lot of writer friends have offered up words of encouragement, and a few positive things have happened recently so as to improve my spirits, or at least renew my belief in my writing skills. Things will take a turn for the better.
The marathon continues, one step at a time. But I won’t be paying for it anymore.
“Now that’s something you don’t see every day, Chauncey.” “What’s that, Edgar?” “A writer setting a schedule and sticking to it.”
Following the lead of some of my writing colleagues, I’m making more of an effort to establish a sense of order and structure when it comes to my writing and all things connected with it.
It used to be “Write when you can!,” which in a way it still is, but more layers and categories have been added to the mix.
-First and foremost, the setting aside of at least an hour a day to work on one of my own projects continues, be it outlining, writing, editing, rewriting, or polishing. This remains the primary objective.
-Networking. While connecting with people is easy, maintaining those relationships takes effort, and can quickly become time-consuming. As much as I enjoy conversing (albeit online) with people, I try to keep it to a minimum – unless it’s relevant to the project of the moment.
-Related to that is the reading and note-giving for other writers, especially those who were equally as generous with their time to do the same for me. I may not always be on schedule about it (something I’m trying to improve), but I make a point of getting it done.
-Career-building. This mostly involves researching potential recipients for pitching and queries, which means diving head-first into the scavenger hunt that is IMDB Pro. While most of the time the contact info is accurate, sometimes it’s out of date (people move on), or there’s no contact info whatsoever, or the person or company in question hasn’t existed for years.
*True story – researching an agent, I’d discovered they’d apparently died several years before but the email was still in operation. I opted not to query them.
-Overall stayin’ organized. I’ve started jotting down each day’s objectives and “must do’s” in a little notebook, and checking off items as they are accomplished. It’s been very helpful in making me stay focused on what needs to get done, rather than hoping I remember later on.
All of this is still somewhat early in the process, but so far, so good. That feeling of being in control helps make the whole thing seem a little easier, as well as feeling like stuff is actually getting done.
How about you? What steps are you taking to be more organized with your writing?
Maximum Z 