Author: Maximum Z

Goodbye progress!

Maximum Z outlines, plot, story

And hello writer’s block!

I’m about 7 scenes into Act Two, and just couldn’t think of what happens next.  I hate that. I’ve got a few ideas, and I keep going over them in my head to determine whether they work or not.  Fortunately, this is not the first time this has happened, nor will it be the last.  I’ll work my way through it, but boy is it frustrating.

Even worse, I thought of a way to bring in my highly-awaited bounty hunter character, but until I figure out what happens to my protagonist, I can’t do anything with him.

Part of my problem is I overwrite when I’m still in the planning/outlining phase.  You’re supposed to know what the point of the scene is, or at least, what happens to advance the plot.  Sometimes I do, but more and more often, I go way beyond that.  I add snippets of dialogue.  I put in action.  One primary reason for doing so is I think of something that really helps the scene, and if I don’t write it down now, I’m going to forget about it later.

If I can contain myself enough, or at least self-edit, while I put each scene together, it may help move things along.

I’m also reminding myself to not let the story veer off in an unexpected direction that will change everything.  I know where I want to go, but need to stay focused in order to get there.

-I also got some very good notes on Act One from another writer friend.  He had some good suggestions regarding slightly changing a few things, including one I never thought of which would really help in condensing the story as well as speeding things up.

Tomorrow: back on track!

My take on the Black List

Maximum Z Black List, Hollywood

The Black List was released today.  That’s a list of the hottest unproduced screenplays floating around Hollywood; ironically, a lot of them are in the process of being produced.

The more a script is mentioned, the higher it’s ranked.  This year’s leader, COLLEGE REPUBLICANS, got 49 mentions.  I think JUNO was a high-ranking script a few years ago. (The script may have been popular, but I still say the movie sucked)

A friend downloaded EVERY SCRIPT from this year’s list and asked if I wanted the whole thing.  I had to look at the list first.  It’s 42MB, so not all of it.  I decided to cherry-pick which ones looked interesting to me.  Basically, all you’re working with is the title, the logline and the writer’s name.

I narrowed it down to 11, including GANGSTER SQUAD, about the LAPD vs the Mafia in the 40s, THE 13th man, where a WWII-era codebreaker discovers a secret code being sent through comic books, and ABRAHAM LINCOLN: VAMPIRE HUNTER, which is based on the book.

What was very interesting while reading the descriptions of each script was the range of subjects.  Honestly, some of them sound just flat-out boring.  Haven’t we seen enough stories about aging hitmen, criminals out for one last score, women who will do anything to get their Mr Right, zombies, and other tired cliches?  However, a refreshing counter-argument to that last one is BOY SCOUTS VS ZOMBIES.

What a shame Hollywood is so afraid of originality (and writers who are good at it).

Writers are constantly being told to be original and come up with something new.  Then when they do and achieve success with it, it’s changed so drastically that everything that was cool and unique about it has been removed.  And then the moviegoing public complains about the same old dreck.

One of my guidelines for my scripts is “write something I would want to see.”  If the concept works, then the next step is making sure the story works.  That’s key.  If it doesn’t, then it’s a lost cause. It’s easy to make a bad movie from a good script (happens all the time), but you can’t make a good movie from the bad script.

While it would be nice to make it to the list, it’s more important to me the story works.

THEN they can heap praise and shitloads of money upon me.

A few steps forward

Maximum Z 3 Stooges, loglines, outlines, plot, research, screenwriting, script doctor eric, story

Just a handful of scenes on LUCY today. I’m trying to work out the transition from the opening of Act One to the page 45 twist.  It’s coming together.  Slowly.  Confidence levels still pointing upward.

I was able to fix my time problem by eliminating the California aspect completely and having it all take place in .  That Denver/Rockies climax still sounds pretty good.

-I got some good feedback regarding my 3 Stooges idea from yesterday.  The story is possible, but it would be difficult to avoid having it turn into a Stooge-ish comedy.  Consider this one officially backburnered.

Movie of the Moment: Nothing right now, but I got to see the trailer for next year’s THOR movie.  It looks okay, but there’s no sense of excitement or thrills I got from the first IRON MAN.  Where’s the powerful aura of gods on Earth?  Of an ages-old story that still holds up in modern times.  It’s Kenneth Branagh, for crying out loud!  I want Shakespearean drama from an Asgardian aspect!  So far, I ain’t seeing it.

-I think I’m officially done with entering the logline contest.  I didn’t win again this time, and I haven’t been very impressed with some of the recent winners.  Besides, I’d rather focus on LUCY and my other stuff anyway.

-Got a note from the director.  He says production is wrapped, and now he’s dealing with post.  No idea when it’ll be ready.  I wonder if he’ll follow through with the release party thing.  Hope so.

A surefire hit!

Maximum Z 3 Stooges, comedy, espionage, slapstick, thrillers, WWII

With the success of recent alternate reality stories such as PRIDE, PREJUDICE & ZOMBIES and ABRAHAM LINCOLN, VAMPIRE HUNTER, the next logical step can only be:

THE 3 STOOGES: UNDERCOVER G-MEN!

1944. Hollywood. A Nazi spy ring has infiltrated Tinseltown’s Jewish community.

Moe, Larry and Curly are on hiatus from filming their latest batch of shorts.
Although they initially reject the offer to join the Axis, the OSS recruits them to play along and destroy the ring from within.

Slapstick combined with war-time thrills and intrigue! Tell me the world would not go absolutely gaga over this.

At least the male half would.

Wikipedia is my sister! My daughter! My sister! My daughter!

Maximum Z Civil War, loglines, research, screenwriting, script doctor eric, story, train, Uncategorized, Wikipedia

My apologies for a lack of posts the last few days. A combo of extra hours at work, family stuff and just being busy kept me away.

Progress on the second act of LUCY has been slower than I’d like, but that’s okay. Better to take my time than constantly be fixing it later.

I got some very nice feedback from a fellow writer about Act One. He’s read some of my other stuff and was quite enthusiastic about what I’ve got so far. Although he’s not crazy about the main character being a woman, I think it makes for a slightly different approach, as well as being somewhat original.

Because I’m trying to keep this story as historically accurate as I can, I’ve been using various websites as reference guides. The Civil War, trains, and so on.

And of course, Wikipedia. I’ve gotten a lot of very helpful info from it so far. It is truly invaluable.

Throughout the events of the story, I’ve been establishing that several of the characters will end up in California. This includes the love interest and the villain, who has also stolen Lucy’s train. I pictured a big finale taking place IN California. Sounds awesome, right?

The story starts in the East just as the Civil War is ending, then gradually heads west. That means the trains would need to make their way across the country, which would be 1865.

I wanted to make sure this was plausible, but Wikipedia informed me the driving of the Golden Spike in Utah was the birth of the Transcontinental Railroad. In 1869. Which is 4 years AFTER this story takes place.  Which means I need to CHANGE SOMETHING!

Either I move the time of the story ahead, which destroys that whole “end of the Civil War” aspect, or I change the locale of where the story ends.  As much as I hate to do it, it’s easier to go with the latter.  One of the many rules of writing is “kill your darlings,” so it looks like I’ll being committing murder-by-author in the next few days.  Like I said, it would be great to have the showdown in California, but it just won’t work.  Time to dive back into Wikipedia and find out where gold was plentiful before the railroad.  Denver might work.  A showdown on railroad tracks through the Rockies has potential.

I was originally hoping to be done with the outline by the end of the year, but that ain’t gonna happen.  I’ll be happy if I get to the midpoint by then.

-I sent the scene rewrite back to the director a few days ago, and have heard nothing back.  I don’t know how he feels about it, and he said he wanted to shoot the remaining scenes tomorrow (Sunday).   As always, I wish him the best of luck.

-Even though I thought I was done with it, I sent the logline to NORTH POLE NOIR to the logline contest yesterday. I don’t know what kind of a chance I have; I’ve entered it before, but with no results.  This time he seems to want more Christmas-themed ones, so maybe this time.  Fingers crossed.