Sorry. No post tonight. Working on a quick rewrite of a scene in the short.
More tomorrow!
Sorry. No post tonight. Working on a quick rewrite of a scene in the short.
More tomorrow!
I must have gotten more done on the first act of LUCY last week than I thought, because I didn’t have to spend much time on it today, and for the most part, it’s done.
Hooray for me.
While I’m extremely happy with the way everything’s working out so far, I’ve also been mulling over what happens in Act Two, aka the vast wasteland.
It is somewhat daunting to be starting on the bulk of the story, which is why I’m really glad to be fine-tuning everything now. I can figure out what works and what doesn’t. I’m also really glad I set up those plot point milestones, which will help me get where I want to go. That western and train checklist has also come in handy.
I’ve started plotting out what happens as Act Two gets underway, but still need a plausible way to get to my page 45 twist. Somewhere in there I’d like to introduce my bounty hunter character (and I already have his name ready). What would be even cooler is to somehow tie him in to what we’ve already seen, but I think I can do that too.
Movie of the Moment: I took V to see HARRY POTTER 7 yesterday. A little long, but seems like a nice start to wrapping the whole thing up. I remember when the book came out, a reviewer commented on “HP and the never-ending camping trip.” Which was on full display. Despite the occasional question (“What did he say?, What does that mean?, etc”), V seemed really enjoy it. I’m sure we’ll see part 2 next summer.
There was also the requisite GREEN LANTERN trailer, which V was very excited about. I am also guilty about that, despite Ryan Reynolds still being better for the part of Barry Allen rather than Hal Jordan. But that’s what they get for not asking me.
I did watch PIRATE RADIO earlier today. It was a blast. I didn’t realize Richard Curtis wrote and directed it; he wrote FOUR WEDDINGS & A FUNERAL, NOTTING HILL and wrote and directed LOVE, ACTUALLY. After I learned that, I could see similarities between some of the films. Multi-character storylines with one main character tying the whole thing together. And he collaborated with Rowan Atkinson on some of the later Blackadders, so you know his comedy skills are top-notch.
But getting back to PIRATE RADIO. Lots of funny stuff, most of it possibly true, and just a fun story. It also had the requisite happy ending, but I won’t say how. Suffice to say, what led up to it was unexpected, but it all fit together very nicely.
While the re-organizing of the first act of LUCY continues (including a title change to one that is sheer awesomeness), I got a call yesterday from the director of the short I wrote back in the summer.
I really thought he was going to tell me it was all wrapped up and when the party was.
Nope.
He’s shot three scenes so far, but keeps running into scheduling problems with his actors. One of them can’t be there for shooting the final scene, so he wanted to know if I had any ideas about how to fix it.
I thought it over for a few seconds. The final scene is set in a small hotel lobby and the character makes a 2-second appearance (but has a bigger part earlier in the story).
Put the guy’s headshot in a picture frame and make him Employee of the Month.
Then the director asks whether he should show it in a close-up or start on it and pan over to the hotel desk. Just have it as part of the shot; don’t draw attention to it, I say. He’s not sure.
Okay, then slap the headshot on some posterboard and make it a lobby card for the headliner in the hotel’s lounge. He asks what if I make it greenscreen and fill it in later? That’s making it way more complicated than it has to be, I say. Posterboard, a black Sharpie, maybe some gold stars and a headshot. Five bucks, tops. He’ll think about that one, too.
But we’re not done yet.
A pivotal scene is supposed to take place in a pool hall, but the hall he wants to film in is undergoing renovations. How could he get around this?
I’d like to add that the pool aspect was his idea because he had a clever way of showing trick shots through cgi. So much for that, apparently.
Again, a matter of seconds.
Make it a poker game. Cards, chips, a table, minimal lighting. Easy peasy. Again, he’ll think about it.
Even more amazing is that he wanted to be done before the end of the year so he could submit it to festivals. I hope he makes it.
The last time I saw him in person (mid-August, I think), he told me he was planning to move to LA in January to break into the industry.
I worry he may not be completely prepared. Nevertheless, I still wish him the best of luck.
No post tonight; it’s the first night of Hanukkah. Big family gift was a Wii.
Fun stuff.
Back to the outline tomorrow.
I may have had a brainstorm regarding my antagonist. A really good one.
I’d mentioned before about the good suggestion from the writing group about how maybe the guy who steals Lucy’s train is somehow connected to her past.
A good idea.
As I’d also mentioned, I’ve been struggling with a more…tangible goal for Lucy besides catching the real thieves.
So today in the traffic studio, I worked on fine-tuning the opening sequence, which took a little longer than expected. Almost there, though.
But while I was working, the idea about Lucy’s goal kept creeping into my mind. I also kept going back to her history with the antagonist. What would it be? Details are still forthcoming on that one.
I also stumbled onto the idea of having the antagonist play a more significant part in Lucy’s past. A really significant part. On several levels.
I’d go into more details, but I’m still working on it. Suffice to say, this could represent a significant development in terms of what Lucy wants.
And it could be the break I’ve been waiting for.