Month: August 2013

An air of authenticity -OR- That’s why God invented Wikipedia*

Maximum Z genre, guidelines, productivity, research, scenes, screenwriting, script, Wikipedia, writing , ,
Wikipedia was actually founded by this guy - Jimmy Wales - but it's not as funny
*Yes, I know Wikipedia was actually founded by this guy – Jimmy Wales – but it’s not as funny

“Write what you know” can only get you so far.

What if you want to write something you don’t know that much about?

One word: research.

Thought you were done with that when you got out of school? No such luck, my friend.

When you write, you want to make the reader/audience feel like you know what you’re talking about, or least give the impression you do. Just making stuff up or copying something used in an older movie is the lazy approach.

This isn’t saying you need a character spouting a master’s thesis on the subject, but tossing a few facts or proper terms here and there can really go a long way towards establishing credibility.

If you’re still in the outline phase, this is prime researching time. As you’re developing your story, try to find out something you can use that would make it that much more believable.  While this practice definitely applies to anything history-based, it also works with stories set in the present.

Say you’re working on a medical drama. Those characters should be able to immediately identify a certain condition, the cause (if necessary) and what the treatment is. Spending a few minutes finding this information out will make that possible.  You think the writers of HOUSE just made stuff up? Nope. The medical problem in each episode was based on facts.

Researching could also prove to be a key part of moving your story forward. Maybe a character finds something out or reveals something that suddenly changes the direction things are going.

Writing about a profession you know nothing about? Talk to someone who actually does that for a living. How would they handle this type of situation? When someone finds out you’re writing a story and want their input, they’re usually pretty enthusiastic about helping you.

Spending some time finding stuff out can even pay off when you least expect it, or aren’t expecting it all. Even if you don’t use it this time, there’s a good chance it could come in handy somewhere down the line.

This way you can solve that particular problem faster, thereby making yourself look that much more like a writing genius, impressing all who sample your craft.

And isn’t that what it’s really all about?

Start. Write. Repeat.

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Apropos of nothing. I just like Paris.
Apropos of nothing. I just wouldn’t mind being there.

With all the activity surrounding the one script these past few months, and even though I was working on some new stuff, I’d practically forgotten that I really needed to build up my arsenal of material. When somebody asks “What else have you got?”, I want to be able to say “This, this and this.”

Thus the pattern of always working on something continues. As it should for every writer.

Progress on the western spec has been pleasantly steady. And with school starting up the week after next, there’s no reason I can’t bulldoze my way to FADE OUT soon after that. When that’s done, it’s right into reworking an older script with the hope of a quick turnaround.

Changing your focus every once in a while helps keeps things fresh, both on the page and in your head. It gives your creativity a necessary recharge. If you’re working in different genres, it allows you to put yourself in a totally different mindset.

Think of it as crosstraining for the mind. You work on this for a week, then something else the next week, then another the following. Skills are sharpened while attention is spread out equally. In the end, you’ve got progress on multiple fronts.

It’s easy to fall into the trap of constantly rewriting the same thing over and over, which can quickly lead to frustration and burnout. New work can help avoid that.

Take advantage of the opportunity to switch it up, and even when you start something new, keep one eye looking just ahead to the project after that.

-Stan Lee update. Didn’t get to meet him, but took some nice pix from deep within the crowd. I also won a signed copy of Avengers #31. Both V and I had a good time despite the Giants losing 6-1.

An extraordinarily jam-packed couple of days

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The mind reels at what could possibly happen next
Who knows what could possibly happen next? (but it’s fun to guess)

It’s been quite an exciting time ’round these parts, my friends.

-Wednesday. As has been previously chronicled, my script was in the top 15 percent for the Nicholl. Not enough to be a quarterfinalist, but that’s okay. There are so many other avenues to explore, and I’m already mentally rewriting the script I’d enter next year.

-Friday. I won a pair of tickets to a Giants game, which includes a pre-game VIP party where Stan Lee will be in attendance. With any luck, I’ll be able to get my ESSENTIAL SPIDER-MAN VOL 1 signed, and maybe a picture with him.

-Sunday. Ran the Giant Race half-marathon. Perfect conditions – cold, foggy, windy and a mostly flat course. Steady pace, positive attitude. Finally achieved the until-now impossible and broke the 1:55 barrier – 1:53:07 (a pace of 8:38, which I’ve never done before either). Next race is another half-marathon in October. Highly doubtful I can duplicate this kind of time, but still looking forward to it.

-Sunday, part 2. While I was recovering from the race, DREAMSHIP got its second Black List review. 8/10 overall (yay!), including 9/10 for character and setting (double yay!). That was enough to place the script on some of the top lists, including uploaded for action/adventure, family and sci-fi/fantasy.

-Monday. Because of my scores on the Black List, DREAMSHIP will be included in this week’s ‘industry member highlight email,’ which goes out on Friday to around 1900 industry pros.

You couldn’t wipe the smile off my face if you tried.

It’s probably safe to say there may not be a week like this ever again, so I’m definitely enjoying the positive vibes while I can.

A leaky faucet can be just as good as opened floodgates

Maximum Z creativity, productivity, scenes, screenwriting, script, time, writing
faucet
All those drips can really add up

We’ve all got busy schedules, so finding time to write can be quite the challenge.

One writer I know says he waits until his kids go to sleep. Another one gets up early and writes until he has to start getting ready for his day job.

Since I work unusual hours, my prime writing time is mid-afternoon before I head out to take care of Dad stuff.

For the past couple of weeks, circumstances have limited me to about an hour, which has been very productive. My goal on days like this is to write at least one page; two if I’m on a roll, and this is what usually happens.

But working within a set time limit has also been surprisingly liberating. Knowing you’re only producing one or two scenes really takes the pressure off, and removing that part of the equation can definitely yield positive results.

Just as an example, I had to come up with a new way to have a scene play out because it was way too similar to one earlier in the story. Since it was the last of a handful of small scenes I was doing that day, I knew I’d be done when the scene was done.

A few minutes later, that’s what happened.

Not worrying about the time allowed me to really focus on what I had to do, and since I already knew what the point of the scene was, it wasn’t too hard to come up with a solution.

The more you work at it, the easier it’ll get to be productive, even if it’s only a page or two at a time.