I didn’t get to do much story development today due to time constraints, but what I did accomplish was the ongoing fleshing-out of the LUCY outline.
Last night before I went to sleep, I thought I hit on the right first act turning point and midpoint, but didn’t write them down! Argh. So the latter half of this afternoon involved trying to reach back into my subconscious and get them back.
I think I sort-of managed to do that.
I worked on filling in the blanks of my little ‘plot milestone’ sheet, and there were some spaces that remained empty longer than the others.
What I think my next step really needs to be is where I write down all the things I can think of that would be connected with the major plot elements of the story, and see if anything develops out of them.
I’m sure this will pay off; it usually has before.
The more I work on this, the more excited I get to do it. I really think that when all the elements are in place, this thing will take practically no time to write up.
But I have to make sure it works from both the story and thrills perspectives. I want to keep the reader/audience enthralled. That’s right. Enthralled. This is supposed to be a western-adventure that I would want to see; even pay to see, so it HAS to be good AND exciting.
I think I can do that.
-This past weekend was the Alternative Press Expo, or APE as it’s commonly called. My friend Neil and I have gone for about the past four years, except last year (timing).
It’s a great mix of independent comic artists and writers. Some are people who xerox stuff at Kinko’s, fold and staple the ‘books’ themselves, then sell them. Others are people who actually have a publisher.
It’s a nice alternative (hence the name) to the biggies, like WonderCon and Comic-Con, which is kind of nice.
This year we had to take V, since K was unavailable. While I’m sure a lot of the stuff was over her head, she took great joy in spotting things she knew, like sketches of Spidey, the guy who sold fuse-bead interpretations of Pokemon characters (which we bought one of), or the guy who does some awesome Clone Wars sketches ($20 for a head sketch, $50 for the whole body, neither of which were purchased by us).
I always feel bad for the people who are hawking stuff that doesn’t appear to be interesting. It’s so awkward to smile as you pass by, thinking “There is no way in hell I’m buying anything from YOU!” But maybe they sell a few things, possibly even breaking even, and enjoying themselves. What do I know?
Going back to the artists’ angle, there are always a ton of incredibly talented artists there with all this phenomenal art for sale, mostly prints, but sometimes the original. Like I told Neil, if I bought every piece of art I liked at APE, I would have no space left on the walls, and no money left over; not to mention probably a less-than-thrilled wife.
So now the countdown to WonderCon begins. Only 164 days left and counting!!
-My sister-in-law is visiting, so no Movie of the Moment tonight. However, I did watch RIO BRAVO, which was okay, but a little long. Two hours would have worked fine.
The next night was NIGHT TRAIN TO MUNICH, a pre-WWII British spy thriller with a very skinny Rex Harrison. It dragged a little in the beginning, but got better as it went along. It also had Paul Henreid as the bad guy, but I know him best as Victor Laslo in CASABLANCA, so it was an interesting contrast.
What was nice was it actually raised the question of “WOULD HE DIE?” I won’t give anything away, but it keep you hanging on until the very end.