Originality abounds

Kind of busy right now. Hoping to steamroll through to the end of the rewrite before the weekend.

In the meantime, check out some of the creative types I met at APE last week…

The Selling – I first heard about this on the Nerdist podcast with Diani & Devine. Can’t wait to see it.


The Chapel Chronicles – written & drawn by 15-year-old Emma Capps

Zoms – V got a stuffed Horace and absolutely loves it.


Kevin Wood

Squid Row – out of Salinas (Steinbeck country!)

Dr Lollipop, Unicorn MD – not sure if her site mentions the Kitten Pirates, but both are great

Boston Metaphysical Society – sort of a steampunk X-Files

Finn and Charlie are Hitched

Ryan Dow

Sumo Fish – cool designs. Both V and I liked the Sushi Robot shirt

The holidays are coming up fast, and a lot of these would make great gifts. Just a suggestion…

Leaps and bounds!

Up, up and away…

Honestly, I didn’t expect to be the rewrite to be this far along, but that’s how it’s working out.

Utilizing elements of the previous draft, the revamped outline and the occasional sudden inspiration, I’ve been copying, pasting and making fixes left and right.

Pretty significant – changes in Act One extended it another 6-7 pages, which turned out not to be the problem I thought it might. This combined with changes in the first half of Act Two have kept things on track, so now I’m around 4 pages ahead. Still not a problem.

Even more significant – I’ve been able to insert important story elements in appropriate places, except for one. Still working on that, but not worried about it.

Basically, the whole process has been extremely energizing. And I’m loving it.

-Had a nice chat with the guy whose script I provided notes for a few weeks ago. He’s already made two films on his own, and this is his third. Despite his eagerness to start filming, I did my best to emphasize the importance of making sure the script is rock-solid and bulletproof first, including recommending a 2-week break from the script, followed by a page one cold rewrite.

After I gave my two cents about other topics like incorporating theme, conflict, character development and so on, the poor guy seemed stunned. Almost as if I’d scared him into submission. But he said he’d take everything I said into consideration – but he had to get going because he was headed out to scout locations.

Can’t say I didn’t try.

-Movie of the Moment – THE WALKING DEAD, Season Two. I’d watched Season One on DVD about a year ago, and thought it was fantastic.  I never got around to catching Season Two when it actually aired on TV.  Now Season Three has started up, but we’re phasing out Comcast (Roku or Apple TV? Your thoughts please) and I’m using Hulu and Netflix Streaming when I can.

Hence Season Two.

One of the many things I really appreciate about the show in general is the suspense factor. Sometimes it’s low, and sometimes it’s through the roof, but it’s always gripping and definitely leaves you wondering what’s going to happen next.  And the occasional plot twist out of nowhere doesn’t hurt either.

Throw in 3-dimensional characters, believable situations (despite the whole zombie apocalypse aspect), and just plain great writing, and it’s easy to see why this has been so successful. Very eager to keep going.

-Totally forgot to mention – took V to APE this past weekend. Met a lot of great self-published comic creators. Hoping to write about it  later this week, including links to some extremely talented folks.

>Insert monkey pun here<

Don’t know how I could have forgotten, but earlier tonight I suddenly realized that APE is next weekend.  APE is the Alternative Press Expo; sort of a mini-Comic Con for small and/or self-published comics.  It’s very anti-mainstream, and there’s always some good stuff to be found.  Definitely cheaper to go there than to the big cons.

I’ve gone for a number of years with my pal Neil.  He’s always been more into the darker stuff, despite his sunny exterior.  And after years of not being allowed to go, since some of the stuff is very adult in nature, V got to go with us last year.  She enjoyed it, especially since there was more kid-friendly stuff than I remember.

Some of the artists I’ve had the pleasure of meeting include Keith Knight, Raina Telgemeier, Gene Ha and Ted Naifeh.  Each has produced really great material.  Check ’em all out; buy their books.

APE has always been a later-in-the-year alternative companion to Wondercon, but not so this time. Due to renovation work at the convention space, the powers that be are moving it to Anaheim for 2012, with the intent of coming back to San Francisco in 2013.  There’s some skepticism that it will return.  I really hope it does.  It would really suck if it doesn’t.

There’s definitely something about being able to leave the house, drive ten minutes and walk onto the convention floor.  Everybody should be able to do that.

Goosebumps, I tell ya!

I didn’t get to do much story development today due to time constraints, but what I did accomplish was the ongoing fleshing-out of the LUCY outline.

Last night before I went to sleep, I thought I hit on the right first act turning point and midpoint, but didn’t write them down!  Argh.  So the latter half of this afternoon involved trying to reach back into my subconscious and get them back.

I think I sort-of managed to do that.

I worked on filling in the blanks of my little ‘plot milestone’ sheet, and there were some spaces that remained empty longer than the others.

What I think my next step really needs to be is where I write down all the things I can think of that would be connected with the major plot elements of the story, and see if anything develops out of them.

I’m sure this will pay off; it usually has before.

The more I work on this, the more excited I get to do it.  I really think that when all the elements are in place, this thing will take practically no time to write up.

But I have to make sure it works from both the story and thrills perspectives. I want to keep the reader/audience enthralled.  That’s right.  Enthralled.  This is supposed to be a western-adventure that I would want to see; even pay to see, so it HAS to be good AND exciting.

I think I can do that.

-This past weekend was the Alternative Press Expo, or APE as it’s commonly called.  My friend Neil and I have gone for about the past four years, except last year (timing).

It’s a great mix of independent comic artists and writers.  Some are people who xerox stuff at Kinko’s, fold and staple the ‘books’ themselves, then sell them.  Others are people who actually have a publisher.

It’s a nice alternative (hence the name) to the biggies, like WonderCon and Comic-Con, which is kind of nice.

This year we had to take V, since K was unavailable.  While I’m sure a lot of the stuff was over her head, she took great joy in spotting things she knew, like sketches of Spidey, the guy who sold fuse-bead interpretations of Pokemon characters (which we bought one of), or the guy who does some awesome Clone Wars sketches ($20 for a head sketch, $50 for the whole body, neither of which were purchased by us).

I always feel  bad for the people who are hawking stuff that doesn’t appear to be interesting.  It’s so awkward to smile as you pass by, thinking “There is no way in hell I’m buying anything from YOU!”  But maybe they sell a few things, possibly even breaking even, and enjoying themselves.  What do I know?

Going back to the artists’ angle, there are always a ton of incredibly talented artists there with all this phenomenal art for sale, mostly prints, but sometimes the original.  Like I told Neil, if I bought every piece of art I liked at APE, I would have no space left on the walls, and no money left over; not to mention probably a less-than-thrilled wife.

So now the countdown to WonderCon begins.  Only 164 days left and counting!!

-My sister-in-law is visiting, so no Movie of the Moment tonight.  However, I did watch RIO BRAVO, which was okay, but a little long.  Two hours would have worked fine.

The next night was NIGHT TRAIN TO MUNICH, a pre-WWII British spy thriller with a very skinny Rex Harrison.  It dragged a little in the beginning, but got better as it went along.  It also had Paul Henreid as the bad guy, but I know him best as Victor Laslo in CASABLANCA, so it was an interesting contrast.

What was nice was it actually raised the question of “WOULD HE DIE?”  I won’t give anything away, but it keep you hanging on until the very end.